Courtney Bosanko: Difference between revisions



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Although not appealing to Michael Kenyon's tastes, the playing of the band was generally considered to be very good, but perhaps the first piece was unsuitable for the occasion.
Although not appealing to Michael Kenyon's tastes, the playing of the band was generally considered to be very good, but perhaps the first piece was unsuitable for the occasion.
Fisherman's Walk bandstands were attracting ever greater crowds, and the repertoire was increased significantly from Bandmaster Mountain's 50 to over 114 items by 1961. Band songs and timbrel displays were now regularly featured and attractive glossy brochures were produced to include details of band history and personnel. Each programme concluded with the benedictory song <font class="historytitle">Oh how good to trust my heavenly father</font>.
Summer openairs came under much scrutiny from holidaymakers and a photograph taken of the band on one such occasion was published in the Musician (11th October 1952). Particular attention was drawn to the good points that it illustrated - people listening; the smart appearance of the band; careful, efficient spacing; excellent deportment; high standard of playing and impressive witness.
Monday night openairs were an important summertime engagement, often attracting large crowds - especially when General Orsborn was involved. The editor of the Musician visited Boscombe to record not only the meeting itself, but also some background of those participating in it, and this resulted in a <font class="wikiinlinelinks">[https://www.boscombebandsa.org.uk/history/musician.shtml four page spread]</font>.


The retirement of Bandmaster Bosanko in January 1964 closed the chapter
The retirement of Bandmaster Bosanko in January 1964 closed the chapter

Revision as of 20:57, 29 October 2019

Bandmaster Courtney Bosanko

1950 to 1964

The festival which marked the retirement of Bandmaster Mountain also saw the commissioning of Courtney Bosanko ALCM. He was a member of a well known Salvation Army musical family, his father being the retired BM at Bargoed, and his brother BM at Cardiff Canton. In early life he was greatly influenced by his mother's Godly example and was converted during his school days. In his teens he played solo euphonium in the Men's Social HQ Band, under the leadership of Col. Arthur Goldsmith, and at the age of 21 was commissioned bandmaster at Walthamstow. After two years he transferred to Salisbury where he served as BM for 17 years.

During the war he was bandmaster of the 7th (Haytor) Battalion of the Devonshire Regiment and was congratulated by Field Marshall Alexander upon the performance of his band in Rome. He held very sacred the fundamental principles of S.A. banding. In writing to a friend in 1943 he stated that he had rededicated his life to God some three years before on the eve of going into Tunisia.

A personal relationship with God is the thing that matters and my relationship today is stronger, richer, deeper, firmer than ever before. A little musical ability is only one of the many things needed to be a bandmaster.

With experience gleaned from 19 years as bandmaster and expertise acquired from Col. Goldsmith's instruction he soon proved his capabilities as a band trainer with an ability to give confidence to those who doubted their own abilities and to extract extraordinary performances from ordinary players. The band was soon much in demand with engagements being requested up to two years in advance.

In June 1962 the band was honoured by a second appearance in the Royal Albert Hall at the Bandmasters' councils festival. As in 1949 they shared the platform with Coventry City Band and the ISB, with Tottenham Citadel being the other guests. A report by Michael Kenyon details Boscombe's performance:

The tone poem When they Crucified my Lord (Ray Steadman-Allen) was an ambitious choice by Boscombe Band (Courtney Bosanko) and the dramatic qualities of the music were not always made apparent. For the band's second item, a spirited rendition was given of a Soderstrom march Army of God, a choice from the American Band Journal and not from the extensive repertoire of Band Journals published in London.

Musician 9th June 1962

Although not appealing to Michael Kenyon's tastes, the playing of the band was generally considered to be very good, but perhaps the first piece was unsuitable for the occasion.

The retirement of Bandmaster Bosanko in January 1964 closed the chapter on probably the busiest period in the band's history. During his 13 years leadership the hand had travelled extensively, being highly complimented on its spiritual deportment, fine singing and top quality playing, which more than once had been described as 'precise and soulful'.

He had not only maintained the standards set by his illustrious forbears at Boscombe, hut had taken the band to greater heights of achievement, proving himself to be an excellent band trainer.

Quite apart from his Salvation Army activities, Courtney Bosanko founded a band at Boscombe Secondary (later Beaufort) School, and also served as Music Master at Oakmead School. His services to banding were later recognised by his award of the MBE in June 1975.